It was followed, a year later by, another collection of a dozen new recordings. The first batch were released in June ’68 as The Immortal Otis Redding – a dozen unreleased tracks, four of which became hit singles, including the deathless, horn-led funk of “ Hard To Handle”. It served as a rather unsatisfactory long-playing eulogy, especially as it emerged that Stax were sitting on a mountain of unreleased Otis sessions recorded throughout 1967. His record label Stax/Volt and its parent company Atlantic, understandably keen to satisfy a desire for a long-player, rush-release an accompanying album called Dock Of The Bay, a curious mish mash of recent singles, b-sides and the odd cover. A week later, Redding’s funeral in his hometown of Macon, Georgia attracts around 5,000 mourners, and his last ever recording ends up topping the charts the world over. In the real world, of course, Redding’s Beechcraft H18 crashed into Lake Monona, killing him and his touring band, with only trumpeter Ben Cauley surviving. Redding goes on to thrive, the star of the Monterey Festival becoming the thread that links 60s Stax, 70s Motown, flower power and the sonic advances of Hendrix, Sly Stone and Stevie Wonder. So no, there was no final verse and it is unlikely that Redding intended to add in ad libs later, either.įascinatingly enough, when Cropper put together the final mix of the song after Redding’s death, he replaced Redding’s whistling entirely! The whistling on the final tune is done by Sam “Bluzman” Taylor (Cropper also added in the beach sound effects to the song).There’s an alternate universe in which Otis Redding’s private jet lands safely on December 10 1967, where Otis returns to the Stax studio in Memphis, completes his single “ (Sittin’ On) The Dock Of The Bay”, and puts it at the centre of a radical album that transforms soul music as we know it. Redding even did some overdub work on the song just a couple of days before his tragic death and he didn’t change anything, whistling-wise. Whatever Redding’s INITIAL intent was, however, it was clear that the whistling was quickly agreed on for the song, as there were three takes of the song and they all ended with Redding whistling. Stax Records’ Al Bell, however, insisted that Redding always intended to end the song with a whistling riff. On the first take, the whistling sure does sound impromptu… But when the time came, Otis couldn’t think of anything and started whistling, which, of course, made the song.
Otis always liked to ad-lib at the end of songs, so I added in about 10 measures of instrumental background for him to do so. Steve Cropper, who played guitar on the song as well as produce the track, recalled to Wall Street Journal about the end of “(Sittin’ on) The Dock of the Bay”:
#Otis redding dock of the bay series
This is probably most famously shown in his amazing 1966 single, “Try a Little Tenderness,” where he ends the song with a series of ad libs (the show was a staple of his live performances, and he could stretch the end out veeery long). Redding liked to ad lib at the end of his songs. Like most legends, there is enough truth mixed into the story that you can easily see how the story slowly morphed into the version that Jay heard. They finished the song from that recording so the story goes. He went to his label and didn’t have an instrument and whistled the tune while being recorded to give the example of the song. I heard a tale that Otis Redding’s Sitting on the Dock of the Bay ending was done with him whistling because he died before it was finished. Reader Jay wrote in with an interesting legend regarding the song that he wanted me to verify or debunk:
Tragically, he did not live to see it become a great success, as he died in a plane crash before the song was released. “(Sittin’ on) The Dock of the Bay” was by far Otis Redding’s biggest hit recorded by himself.
MUSIC URBAN LEGEND: “(Sittin’ on) the Dock of the Bay” ended with whistling because Otis Redding died before finishing the final verse.
#Otis redding dock of the bay movie
Click here to view an archive of the movie urban legends featured so far. Here is the latest in a series of examinations into urban legends about music and whether they are true or false.
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